About the Book
Since her sister’s tragic death, seventeen-year-old Callie Ryan has basically given up. Her grades have plummeted, she’s quit her swim team, and she barely recognizes the people her parents have become.
When she returns to her aunt’s run-down coastal Victorian one year after Chloe’s death, Callie resigns herself to a summer of guilt and home renovations. She doesn’t expect to be charmed by the tiny coastal town or by Tucker Morgan, a local boy brimming with sunshine.
But even as her days begin to brighten, Callie’s nights are crowded with chilling dreams, unanswered questions, and eerie phenomenon that have her convinced she’s being haunted. Will Callie be able to figure out what her sister is trying to communicate before it’s too late?
What authors/books inspired your writing?
Judy Blume, first and foremost. I’ve been reading (and loving!) her books since I was around eight. Also, The Baby-Sitters Club books, and the Sweet Valley High books; I devoured those series growing up. And, now, many of the current contemporary YA greats: Gayle Forman, Jessi Kirby, Miranda Kenneally, Stephanie Perkins, Jandy Nelson, Jenny Han, Sara Zarr, Lisa Schroeder, Katie Cotugno, Robin Benway, Emery Lord, Sarah Dessen, and Morgan Matson.
What is your ideal writing setting (outside, at a desk, etc.)?
I have a lovely desk that I never use. I like coffee shops okay for chatting with friends, but they’re too distracting for writing. Our local library is too cold. I wish I could write outside, but the sun creates a glare on my laptop’s screen – ha! I’m such a homebody. Ideally, I like to write on my couch or in my bed. I like it to be very quiet. I like to be warm, wearing cozy clothes. I like to have a candle burning, and a hot beverage nearby. Under those conditions, I do my best work.
Do you have any writing exercises or habits?
When I’m drafting, I always start by reading and editing what I wrote the day before. That lets me reacclimate to the story, while limiting the time I spend going backward instead of forward. I’m also a die-hard Scrivener user. It has so many amazing outlining, drafting, and organizational features; I can’t imagine going back to Word.
How do you deal with writer’s block?
When I have writer’s block, it’s almost always because I’ve made a misstep somewhere earlier in the process. When the words just won’t come, I give myself a break. I take a walk or pull weeds or play with my girls, all the while letting the story stew in the back of my mind. Some distance, not forcing it, usually allows me the space to see where I’ve gone wrong. Once I’ve identified the problem I backtrack and fix it, and then I’m free to move forward.
Do you have a special connection to any of your characters?
I have a connection with all of my main characters (Jillian from Kissing Max Holden, Elise from The Impossibility of Us, and Callie from How the Light Gets In). To write from their first-person perspective, I’ve had to learn them inside and out. I’ve given them each one of my own character traits: I share Jillian’s fierce sense of loyalty, Elise’s desire to find the best in everyone, and Callie’s empathic nature. All three are rather stubborn, so we have that in common, too. I’ve also found that sharing a common interest with my protagonists—Jillian loves to bake, Elise loves photography, and Callie loves to swim—helps me connect with them all the more.
What does literary success mean to you?
For me, literary success comes in two parts. First, I hope to find joy in the project I’m drafting/editing/promoting. Not all the time—there are always frustrating and disenchanting moments in writing and publishing—but most of the time. Second, I hope my books will make readers feel. I hope they’ll become so invested in my stories that their emotions mirror my characters’ emotions. I think that’s the most exciting part of reading.
What can we hope to see from you in the future?
It’s kind of a mystery at the moment. I have a couple of projects brewing, both contemporary YA romances that have me inspired and excited. I can’t imagine writing anything other than contemporary YA romance, so I hope to be able to publish more books that are similar to Kissing Max Holden, The Impossibility of Us, and How the Light Gets In. Also, one of my favorite writer friends and I are in the earliest stages of planning something collaborative, which has been so much fun so far!
Any advice for aspiring authors?
Read as much as you can, both in the category/genre you write, and widely. Pay attention to your strong reactions, both positive and negative. Identify what the author did to invoke that reaction in you. Was it a fantastic twist? A super satisfying character arch? A line of beautiful dialogue? Studying and absorbing the practiced, polished writing in published books will do wonders for your own writing.
About the Author – Katy Upperman
Katy Upperman is a wife, mama, author, reader, baker, and wanderer. She writes novels for teens and teens at heart. She’s a Washington State University alum (go Cougs!), a country music fanatic, and a makeup stockpiler. She loves the ocean, pedicures, sunshine, Instagram, Dirty Dancing and The Princess Bride, Jelly Bellies, true crime documentaries, and Friday Night Lights.
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